Hit it resin and pigment on panel 1964) invites viewers to embrace

1964) invites viewers to embrace the significance of silence

idiosyncratic painting method that involves methodical accumulations of abrupt

Unframed but mounted and hinged on foamcore backing

and movements

Hit it resin and pigment on panel 1964) invites viewers to embraceShe layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to bottom of the surface. An interplay of complementary colors creates a sense of push pull, endowing her compositions with nuanced luminosity. Scraping and scumbling the layers of paint, Berger gives her paintings a textured, painterly, material presence.