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Joan Mitchell
suggest a folding back into a three-dimensional form
she wants the painting to look as if it “just happened” and paints in such a way that the brushstrokes disappear and the layers become imperceptible
They stand in the continuum of Tilman’s exploration of the ‘painted object’ or painting
Every Rung Daniela Schweinsberg Joan MitchellShe layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to bottom of the surface. An interplay of complementary colors creates a sense of push pull, endowing her compositions with nuanced luminosity. Scraping and scumbling the layers of paint, Berger gives her paintings a textured, painterly, material presence.
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